Effects of input representation on self-organizing and bottom-up model of chord schema

Authors

  • Nart Bedin Atalay Selçuk Üniversitesi Sosyal Bilimler Enstitüsü ve Dilek Sabancı Devlet Konservatuvarı

Keywords:

chord perception, self organizing maps, bottom up models, chord schema, cognitive model

Abstract

Effects of input representation on self-organizing and bottom-up model of chord schema were investigated. A single layer self-organizing map was trained with 12 major and 12 minor chords. Training was repeated five times, each time with a different input representation. In this model, activation of chords is determined by the representation and activation of pitches that compose the chords. Important findings of chord perception were simulated with this model. Simulation results showed that input representation was critical to simulate all of the findings.

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Author Biography

Nart Bedin Atalay, Selçuk Üniversitesi Sosyal Bilimler Enstitüsü ve Dilek Sabancı Devlet Konservatuvarı

Nart Bedin Atalay started his music education in Eskişehir Fine Arts High School. He earned his BA degree in 1998 from Hacettepe University, Ankara State Conservatory, Musicology Department with a graduation thesis titled “Wedding customs and weddging musics of Reyhanlı region Circassians”. He then continued to the Middle East Technical University, Informatics Institute, Cognitive Science Department. He studied music perception under the supervision of Prof. Dr. Hasan Gürkan Tekman. He received his MSc degree in 2002 with a thesis titled "Chord priming beyond association", and  his PhD degree in 2007 with a thesis titled "The role of non-diatonic chords in perception harmony" from the same department. Nart Bedin Atalay is now working as an instructor in Selcuk University, Dilek Sabancı State Conservatory, Department of Opera.

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Published

2009-03-08

How to Cite

Atalay, N. B. (2009). Effects of input representation on self-organizing and bottom-up model of chord schema. Journal of Human Sciences, 6(1), 376–411. Retrieved from https://www.j-humansciences.com/ojs/index.php/IJHS/article/view/599

Issue

Section

Music