Defining the ‘self’ and the ‘other’ in Disney song lyrics

Authors

  • Souad Belkhyr Mohammed V University, Faculty of Letters and Human sciences, English department.

Keywords:

Globalization, Disney, otherness, language, song lyrics

Abstract

This paper addresses the way Disney identifies American culture as opposed to non Western cultures through the manipulation of song lyrics. Accounting for whether Disney lyrics in animation ease or hinder cross-cultural communication between the West and the East under globalization is crucial to our understanding of its impact on young audiences. Considering its inherently humoristic and amusing nature, Disney lyrics can be powerful and effective means to inform and familiarize children with other peoples and cultures. Yet, Disney’s portrayal of other minorities or ethnic groups worldwide is often misleading and biased.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biography

Souad Belkhyr, Mohammed V University, Faculty of Letters and Human sciences, English department.

Souad Belkhyr is doctoral student at Mohammed V University in Rabat, Morocco where she is currently working as an LC teacher. She received her MA in the English language and Cultural studies with honour degree from the English department at Ibn Tofail University in 2008. She also completed her BA in Cultural Studies from the same department in 2006. Her research interests include, but are not limited to, child education, media literacy, cultural studies, English language teaching, political sciences, and gender studies.

References

Curran,J. & M.J. Park (2000). De-westernizing Media Studies, New York: Routledge.

Gilman, S. (1985). Difference and Pathology: Stereotypes of Sexuality, Race, and Madness, Ithaca, NY: Cornell University Press.

Giroux, H. (1996). Fugitive Cultures: Race, Violence and Youth, New York: Routledge.

Giroux, H. (1995). «Memory and Pedagogy in the Wonderful World of Disney: Beyond the Politics of Innocence», in E. Bell, et al (dir.) Mouse to Mermaid: The Politics of Film, Gender, and Culture, Bloomington: Indiana University Press.

Kramer, P. (2000). « Entering the Magic Kingdom: The Walt Disney Company, the Lion King and the Limitations of Criticism», Film Studies, n°2: 44-50.

Lacan, J. (1953). «Some Reflections on the Ego», In International Journal of Psychoanalysis, n° 34: 11-17.

Mulvey, L. (1975). « Visual Pleasure and Narrative Cinema» Screen, 26: 3: 6-18.

Said, E. (1994). Orientalism, New York: Vintage Books.

Steven, C. (2001). Hollywood and Anti-Semitism: Cultural History up to World War II, Cambridge University Press.

Wells, P. (2003). Animation: Forms and Meanings, London and New York: Routledge, 213-238.

Downloads

Published

2013-05-09

How to Cite

Belkhyr, S. (2013). Defining the ‘self’ and the ‘other’ in Disney song lyrics. Journal of Human Sciences, 10(1), 1366–1378. Retrieved from https://www.j-humansciences.com/ojs/index.php/IJHS/article/view/2417

Issue

Section

Language and Literature